2022              REWIND/REPLAY script/score, concertina, 38 panels, limited edition of 50

2020              seven x seven multiple in 7 parts, full colour, limited edition of 200 and unlimited e-book

2019              Score for Voices folded print, limited edition of 1,000

2017              RoCH Fans & Legends e-publication, 68 pp with video, sound, animations, and essays by Alice Ming-Wai Jim, Jean Hui Ng, Marquard Smith, Henry Tsang, Luke White, Andrew Willis and Wayne Wong

2015              RoCH Fan concertina, 90 panels, full colour, edition of 200

2012              Making Ways 7 risograph prints, limited edition of 40

2009              Faster, Higher Nina Ernst & SPSL, eds. (London: Film & Video Umbrella) monograph, 116pp, full colour with slipcase, essays by Chris Berry and Adrian Rifkin

2007              Golden (Notes) (London: SPSL) 196pp, full colour, texts by Mimi Lok, Joanne Morra, Rob Stone, Gilane Tawadros, and conversation with Sonia Boyce, Irit Rogoff, Naomi Siderfin

2005              NEWS (London: SPSL) 32pp, full colour

2000              DEAL exhibition catalogue, essay by Raimi Gbadamosi, conversation with Gilane Tawadros, Sonia Boyce and Erika Tan


2020              Tiohtià:kee, Tāmaki Makaurau, somewhere over the under, beneath the between essay in Alexandra Chang, Charlotte Huddleston, Janine Randerson eds. Ngā Tai o te Ao: Global Tides (ST PAUL St Publishing, Auckland University of Technology / Global Art Exchange, the Asian/Pacific/American Institute, New York University). E-publication

2018              Testing, Contesting visual/text essay in Ashley Thorpe and Diana Yeh eds. Contesting British Chinese Culture (Palgrave Macmillan)

2016              D/Eluding Definition visual/text essay in Zoe Dunbar et al. 30 Years of Centre for Chinese Contemporary Art (CFCCA) 249pp, full colour

2015              Six Women / Art Vapours visual/text essay with Juliette Kristensen, Mnemoscape Magazine n2,


2016              Golden featured in Margaret Garlake ed. Beaconsfield: Chronic Epoch (London: Black Dog) 192pp, 75 illustrations

2012              Faster, Higher in Hilary Powell & Isaac Marrero eds. The Art of Dissent: Adventures in London’s Olympic State (London: Marshgate Press) 302pp, 76 colour images

2011              NEWS in Paperweight (London: Polygraphia) v.1, n.2

2011              Faster, Higher featured in Elisabetta Fabrizi ed. The BFI Gallery Book (London: BFI) 298pp, full colour

2011              interview in Ying Kwok ed. 21: Discussions with Artists of Chinese Descent (Manchester: Chinese Arts Centre) 156pp, full colour

2005              NEWS/REEL in Melanie Keen & Eileen Daly eds. Necessary Journeys (London: ACE)

2004              Cruel / Loving Bodies in Sasha Welland ed. Cruel / Loving Bodies exhibition catalogue (Shanghai: Duolun MoMA)

2003              Cruel / Loving Bodies in Yishu: Journal of Contemporary Chinese Arts, Fall issue


2019              Conceptualism: Intersectional Readings, International Framings co-editor and contributor with Nick Aikens and Sophie Orlando, Van Abbemuseum e-publication


2012              Ways of Seeing – 40th Anniversary Issue co-editor with Raiford Guins and Juliette Kristensen, special issue of Journal of Visual Culture, v.11, n.2

2007              Hong Kong, and other Returns special issue of Journal of Visual Culture, v.6, n.3

2002              Towards a Chinese British Isles, A Round Trip or 3333 Point 3 to Infinity: On Mileage & ‘British-Chinese’ Art guest editor (1998-2004) v.5, n.1


2019             Found and Lost – Waste to Dust: Shimizu, Takahashi, Phaophanit/Oboussier essay in Nick Aikens, Sophie Orlando and SPSL, eds. Conceptualism: Intersectional Readings, International Framings (Van Abbemuseum e-publication)

2019              We Will Be essay in Nick Aikens and Elizabeth Robles, eds. The Place Is Here (Van Abbemuseum and Sternberg Press)

2018              Through the Gate / An(g)archivery essay in Nick Aikens ed. Deviant Practice (Van Abbemuseum e-publication)

2005              A – Y (Entries for an Inventionry of Dented ‘I’s) in David A Bailey, Ian Baucom, Sonia Boyce, eds.  Shades of Black (London: inIVA, N. Carolina: Duke UP)

2005              Outtakes in Dennis Atkinson & Paul Dash eds. Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books / London: Institute of Education)


2021              Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments in Dorothy Price & Sonia Boyce, eds. Remapping British Art: Three Moments of Modernism, special issue of Art History pp.624-649 (June)

2020              between the voice between the words between the work between us in Pamela Corey and Wenny Teo, eds. Voice as Form in Contemporary Asian Art, special issue of Oxford Art Journal, v.43, n.2, pp.195-219 (August)

2020              Decolonising Art History in Catherine Grant & Dorothy Price eds. Art History, pp.34-38 (February issue)

2016              SPSL / A – Y (Revisited) in Franziska Koch & Rui Oliveira Lopes, eds. special issue of Journal of Contemporary Chinese Art, v.3, n.1-2, pp.169-182

2013              RoCH Fans & Legends (Entries) in Juliette Kristensen & Marquard Smith, eds. Archives, special issue of Journal of Visual Culture, v.12, n.3, pp.364-374

2012              Making Ways in Raiford Guins, Juliette Kristensen & SPSL, eds. Ways of Seeing – 40th Anniversary Issue, Journal of Visual Culture, v.11, n.2, pp.196-204

2007              Editorial: Notes for Hong Kong, and other Returns special issue of Journal of Visual Culture, v.6, n.3, pp.392-332

2006              Translators’ Notes in Mieke Bal & Joanne Morra, eds. Acts of Translation, special issue of Journal of Visual Culture, v.6, n.1, pp.125-148

2003              A – Y (Entries for an Inventionry of Dented ‘I’s) in Third Text, v.17, n.62, pp.63-70

1999              Staging/Translating: Surname Viet Given Name Nam in Third Text, v.13, n.46, pp.61.72


2006              Anthony Key essay for Anthony Key exhibition catalogue (London: Unit 2 Gallery)

2005              If You Were There essay for Mayling To: If You Were There exhibition catalogue (University of Hertfordshire: Margaret Harvey Gallery)

2002              Inglorious Food essay in Anthony Key exhibition catalogue (Bristol: Eddie Chambers)

2002              PIDGIN: interrupted transmission Third Text, v.16, n.59, pp.208-211

2001              Trinh T. Minh-­ha: Cinema Interval Parallax, v.7, n.2, pp.128-130

2000              Tailing TRACE/Y: The Liverpool Biennial of Contemporary Art Third Text, v.13, n.49, pp.101-105

1999              Anthony Key essay in Empire & I exhibition catalogue (London: Terra Incognita)