ARTIST BOOKS & MULTIPLES
2022 REWIND/REPLAY script/score, concertina, 38 panels, limited edition of 50
2020 seven x seven multiple in 7 parts, full colour, limited edition of 200 and unlimited e-book
2019 Score for Voices folded print, limited edition of 1,000
2017 RoCH Fans & Legends e-publication, 68 pp with video, sound, animations, and essays by Alice Ming-Wai Jim, Jean Hui Ng, Marquard Smith, Henry Tsang, Luke White, Andrew Willis and Wayne Wong
2015 RoCH Fan concertina, 90 panels, full colour, edition of 200
2012 Making Ways 7 risograph prints, limited edition of 40
2009 Faster, Higher Nina Ernst & SPSL, eds. (London: Film & Video Umbrella) monograph, 116pp, full colour with slipcase, essays by Chris Berry and Adrian Rifkin
2007 Golden (Notes) (London: SPSL) 196pp, full colour, texts by Mimi Lok, Joanne Morra, Rob Stone, Gilane Tawadros, and conversation with Sonia Boyce, Irit Rogoff, Naomi Siderfin
2005 NEWS (London: SPSL) 32pp, full colour
2000 DEAL exhibition catalogue, essay by Raimi Gbadamosi, conversation with Gilane Tawadros, Sonia Boyce and Erika Tan
VISUAL/TEXT ESSAYS
2020 Tiohtià:kee, Tāmaki Makaurau, somewhere over the under, beneath the between essay in Alexandra Chang, Charlotte Huddleston, Janine Randerson eds. Ngā Tai o te Ao: Global Tides (ST PAUL St Publishing, Auckland University of Technology / Global Art Exchange, the Asian/Pacific/American Institute, New York University). E-publication
2018 Testing, Contesting visual/text essay in Ashley Thorpe and Diana Yeh eds. Contesting British Chinese Culture (Palgrave Macmillan)
2016 D/Eluding Definition visual/text essay in Zoe Dunbar et al. 30 Years of Centre for Chinese Contemporary Art (CFCCA) 249pp, full colour
2015 Six Women / Art Vapours visual/text essay with Juliette Kristensen, Mnemoscape Magazine n2, http://www.mnemoscape.org/
ARTIST PAGES
2016 Golden featured in Margaret Garlake ed. Beaconsfield: Chronic Epoch (London: Black Dog) 192pp, 75 illustrations
2012 Faster, Higher in Hilary Powell & Isaac Marrero eds. The Art of Dissent: Adventures in London’s Olympic State (London: Marshgate Press) 302pp, 76 colour images
2011 NEWS in Paperweight (London: Polygraphia) v.1, n.2
2011 Faster, Higher featured in Elisabetta Fabrizi ed. The BFI Gallery Book (London: BFI) 298pp, full colour
2011 interview in Ying Kwok ed. 21: Discussions with Artists of Chinese Descent (Manchester: Chinese Arts Centre) 156pp, full colour
2005 NEWS/REEL in Melanie Keen & Eileen Daly eds. Necessary Journeys (London: ACE)
2004 Cruel / Loving Bodies in Sasha Welland ed. Cruel / Loving Bodies exhibition catalogue (Shanghai: Duolun MoMA)
2003 Cruel / Loving Bodies in Yishu: Journal of Contemporary Chinese Arts, Fall issue
EDITED CONFERENCE PROCEEDINGS
2019 Conceptualism: Intersectional Readings, International Framings co-editor and contributor with Nick Aikens and Sophie Orlando, Van Abbemuseum e-publication
EDITED JOURNAL ISSUES
2012 Ways of Seeing – 40th Anniversary Issue co-editor with Raiford Guins and Juliette Kristensen, special issue of Journal of Visual Culture, v.11, n.2
2007 Hong Kong, and other Returns special issue of Journal of Visual Culture, v.6, n.3
2002 Towards a Chinese British Isles, A Round Trip or 3333 Point 3 to Infinity: On Mileage & ‘British-Chinese’ Art guest editor http://www.chinese-art.com (1998-2004) v.5, n.1
CHAPTERS IN EDITED BOOKS
2019 Found and Lost – Waste to Dust: Shimizu, Takahashi, Phaophanit/Oboussier essay in Nick Aikens, Sophie Orlando and SPSL, eds. Conceptualism: Intersectional Readings, International Framings (Van Abbemuseum e-publication)
2019 We Will Be essay in Nick Aikens and Elizabeth Robles, eds. The Place Is Here (Van Abbemuseum and Sternberg Press)
2018 Through the Gate / An(g)archivery essay in Nick Aikens ed. Deviant Practice (Van Abbemuseum e-publication)
2005 A – Y (Entries for an Inventionry of Dented ‘I’s) in David A Bailey, Ian Baucom, Sonia Boyce, eds. Shades of Black (London: inIVA, N. Carolina: Duke UP)
2005 Outtakes in Dennis Atkinson & Paul Dash eds. Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books / London: Institute of Education)
ARTICLES IN REFEREED ACADEMIC JOURNALS
2021 Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments in Dorothy Price & Sonia Boyce, eds. Remapping British Art: Three Moments of Modernism, special issue of Art History pp.624-649 (June)
2020 between the voice between the words between the work between us in Pamela Corey and Wenny Teo, eds. Voice as Form in Contemporary Asian Art, special issue of Oxford Art Journal, v.43, n.2, pp.195-219 (August)
2020 Decolonising Art History in Catherine Grant & Dorothy Price eds. Art History, pp.34-38 (February issue)
2016 SPSL / A – Y (Revisited) in Franziska Koch & Rui Oliveira Lopes, eds. special issue of Journal of Contemporary Chinese Art, v.3, n.1-2, pp.169-182
2013 RoCH Fans & Legends (Entries) in Juliette Kristensen & Marquard Smith, eds. Archives, special issue of Journal of Visual Culture, v.12, n.3, pp.364-374
2012 Making Ways in Raiford Guins, Juliette Kristensen & SPSL, eds. Ways of Seeing – 40th Anniversary Issue, Journal of Visual Culture, v.11, n.2, pp.196-204
2007 Editorial: Notes for Hong Kong, and other Returns special issue of Journal of Visual Culture, v.6, n.3, pp.392-332
2006 Translators’ Notes in Mieke Bal & Joanne Morra, eds. Acts of Translation, special issue of Journal of Visual Culture, v.6, n.1, pp.125-148
2003 A – Y (Entries for an Inventionry of Dented ‘I’s) in Third Text, v.17, n.62, pp.63-70
1999 Staging/Translating: Surname Viet Given Name Nam in Third Text, v.13, n.46, pp.61.72
CATALOGUE ESSAYS & REVIEWS
2006 Anthony Key essay for Anthony Key exhibition catalogue (London: Unit 2 Gallery)
2005 If You Were There essay for Mayling To: If You Were There exhibition catalogue (University of Hertfordshire: Margaret Harvey Gallery)
2002 Inglorious Food essay in Anthony Key exhibition catalogue (Bristol: Eddie Chambers)
2002 PIDGIN: interrupted transmission Third Text, v.16, n.59, pp.208-211
2001 Trinh T. Minh-ha: Cinema Interval Parallax, v.7, n.2, pp.128-130
2000 Tailing TRACE/Y: The Liverpool Biennial of Contemporary Art Third Text, v.13, n.49, pp.101-105
1999 Anthony Key essay in Empire & I exhibition catalogue (London: Terra Incognita)