2017 RoCH Fans & Legends (Derby: QUAD/Manchester: CFCCA) e-publication, design by Land of Plenty, essays by Alice Ming-Wai Jim, Jean Hui Ng, Marquard Smith, Henry Tsang, Luke White, Andrew Willis, Wayne Wong
2015 RoCH Fan (London: SPSL) 90 panel concertina, 8415mm x 187mm x 102mm, full colour edition of 200, design by March
2009 Faster, Higher co-edited with Nina Ernst (London: Film & Video Umbrella) 116pp, 243mm x 169mm, full colour, hardback box, essays by Chris Berry and Adrian Rifkin
2007 Golden (Notes)(London: SPSL) artist book, 196pp, 180x180mm, full colour, contributors: Sonia Boyce, Mimi Lok, Joanne Morra, Irit Rogoff, Naomi Siderfin, Rob Stone, Gilane Tawadros
2005 NEWS (London: SPSL) artist book, 32pp, 150mm x150mm full colour


2018  Conceptualism: Intersectional Readings, International Framings contributor and co-editor with Nick Aikens and Sophie Orlando, Van Abbemuseum e-publication (forthcoming)
2012 Ways of Seeing co-edited with Raiford Guins & Juliette Kristensen, special issue, Journal of Visual Culture (London, CA, New Delhi: Sage), v.11, n.2
2007 ‘Hong Kong, and other Returns special issue, Journal of Visual Culture (London, CA, New Delhi: Sage, 2007), v.6, n.3, editorial, pp.330-332


2020 between the voice between the words between the work between us’ in Pamela Corey and Wenny Teo, eds. Voice as Form in Contemporary Asian Art, special issue of Oxford Art Journal (forthcoming)
2019 Phaophanit (/Oboussier) – Light Travels, In Atopia’ in Dorothy Price & Sonia Boyce, eds. Remapping British Art: Three Moments of Modernism, special issue of Art History (forthcoming)
2018 ‘Found and Lost – A Genealogy of Waste? Shimizu, Takahashi, Phaophanit/Oboussier’ essay in Nick Aikens, Sophie Orlando and SPSL eds. Conceptualism: Intersectional Readings, International Framings (Van Abbemuseum e-publication, forthcoming)
2018 ‘Through the Gate / An(g)archivery’ essay in Nick Aikens ed. Deviant Practice (Van Abbemuseum e-publication, forthcoming)
2018 ‘We Will Be’ essay in Nick Aikens and Elizabeth Robles eds. The Place Is Here (Van Abbemuseum and Sternberg Press, forthcoming)
2016 ‘SPSL/A–Y (revised)’ Journal of Contemporary Chinese Art, v.3, n.1&2, June, pp.169-182
2006 Marquard Smith, Journeys, Documenting, Indexing, Archives and Practice-based Research: A Conversation with susan pui san lok Art Journal, Winter, v.65, n.4, pp.18-35
2006 Translators’ Notes essay in Mieke Bal & Joanne Morra eds, ‘Acts of Translation’, special issue of Journal of Visual Culture (London, CA, New Delhi: Sage), v.6, n.1, pp.125-148
2005 ‘Outtakes’ essay in Dennis Atkinson & Paul Dash eds., Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books) pp.103-116
2003/2005 ‘A – Y (Entries for an Inventionry… essay in Third Text, n.62, pp.63-70, re-published in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black: Assembling Black Arts in 1980s Britain (London: Iniva, N. Carolina: Duke UP), pp.59-66
1999 Staging / Translating: Surname Viet Given Name Nam essay, Third Text n.46, pp.61-72


2016 ‘D/Eluding Definitions‘ in 30 Years of Centre for Contemporary Chinese Art (Manchester: CFCCA) pp.118-133
2015 Six Women – Art Vapours with JC Kristensen, in Elisa Adami & Alessandra Ferrini eds, ‘In the Presence of Absence’, themed issue, Mnemoscape Magazine, www.mnemoscape.org n.2
2013 RoCH Fans & Legends (Entries) in Juliette Kristensen & Marquard Smith eds, Archives, a special issue of Journal of Visual Culture (London, CA, New Delhi: Sage), v.12, n.3
2012 Making Ways in Raiford Guins, Juliette Kristensen & susan pui san lok eds, Ways of Seeing, a special issue of Journal of Visual Culture (London, CA, New Delhi: Sage), v.11, n.2, pp.196-204
2012 ‘Faster, Higher’ in Hilary Powell & Isaac Marrero-Guillamón eds., The Art of Dissent: Adventures in London’s Olympic State (London: Marshgate Press), pp.90-99
2011 ‘Faster, Higher’ documented in The BFI Gallery Book ed. Elisabetta Fabrizi, one of eighteen exhibitions presented at the Southbank venue between 2007 and 2010. (London: BFI) 296pp, full colour, pp.76-84
2011 NEWSfeatured in Paperweight (London: Polygraphia) v.1, n.2
2005 NEWS/ REELfeatured in Melanie Keen & Eileen Daly eds. Necessary Journeys (London: Arts Council England)


2018 ‘Re Moves’ independent documentary film developed for the project Black Artists and Modernism, produced by Illuminations Media
2012 ‘Altar Notes’ one of nine micro-plays commissioned and produced between Beijing, London, and Hong Kong for 2012-1997: Hong Kong Impressions, staged at Yuen Long Theatre, Hong Kong


2006 ‘Anthony Key’ exhibition catalogue essay for Anthony Key: From South China to South London (London: Unit 2 Gallery)
2005 ‘If You Were There’ exhibition catalogue essay, Mayling To: If You Were There (University of Hertfordshire: Margaret Harvey Gallery)
2002 ‘Inglorious Food’ exhibition catalogue essay, Anthony Key (Bristol: Eddie Chambers)
2002 Erika Tan – PIDGIN: interrupted transmission exhibition review, Third Text n.59, pp.208-211
‘Trinh T. Minh-ha: Cinema Interval’ book review, Parallax (2001) n.19, pp.128-130
1999 Tailing TRACE/Y: The Liverpool Biennial of Contemporary Art exhibition review, Third Text n.49, pp.101-104


2004 ‘A – Y: Of ‘British Chinese’ Art’, PhD thesis, University of East London
1996 ‘Staging / Translating: Surname Viet Given Name Nam, MA thesis, University of Leeds