Online exhibition presented as part of Time-Lapse
Time-Lapse 18 February to 20 May 2012
In 1969, Seth Siegelaub, pioneering supporter of conceptual art, organized March 1969 a.k.a One Month, an exhibition that existed only in catalogue form. Siegelaub invited thirty-one artists to contribute a work; one for each day of the month. Time-Lapse curators Irene Hofmann and Janet Dees have conceived of a project that is an homage to Siegelaub’s ground-breaking “exhibition,” updated for today’s virtual, technological world. March 2012 will be hosted on the homepage of SITE’s website. Each day during March one work by a different artist will be featured. The participating artists are an international and intergenerational group currently working with conceptual, time-based and media-oriented practices.
Axle Contemporary, Daniel Bejar, Martin John Callanan, Beth Coleman + Howard Goldkrand, Ron Cooper, Matthew Cusick, Faith Denham, Brent Green, Hillerbrand + Magsamen, Jennie C. Jones, Tellervo Kalleinen + Oliver Kochta-Kalleinen, susan pui san lok, Conor McGarrigle, Linda Montano, neuroTransmitter, Huong Ngo (in collaboration with George Monteleone and Or Zubalsky), Paul Notzold, Geof Oppenheimer, Ben Patterson, Dawit L. Petros, Adrian Piper, Liliana Porter, Postcommodity, Mark Tribe, Claudia X. Valdes, and Donald Woodman.
Visit www.sitesantafe.org and click on the March 2012 icon to view a new work each day in March, and to see a schedule of featured artists. A cumulative archive will be on view in SITE’s galleries during March; in April and May an archive of all 31 works will be on view.
On view this week:
March 1: Adrian Piper, Vanishing Point #2, 2009
Sanded drawing on pre-printed paper, 8.5 x 11 inches. Expense report form, graphite pencil, ballpoint pen, sandpaper. Collection: Dr. Pascal Decker. © Adrian Piper Research Archive Foundation, Berlin
March 2: Axle Contemporary, E Pluribus Unum, 2012
A mobile gallery and collective composite portrait of Santa Fe
March 3: Daniel Bejar, Daniel Bejar/Destroyer (The Googlegänger), 2009- ongoing
Search engine intervention, digital prints. Courtesy of the artist
March 4: Faith Denham*, Block H, 2007
Interactive installation set in Northern Ireland, comprising a Counterstrike mod and a sound reactive television
March 5: Conor McGarrrigle, Madmen: The Bittorent Edition, 2011
A visualisation of bittorrent traffic and consequent file corruption as an episode of the popular TV show is shared by thousands of users
March 6: Brent Green, ‘Noah‘ from Gravity Was Everywhere Back Then, 2010
Shot entirely in stop motion using human beings, an excerpt from the artist’s first full-length feature film, telling the true story of Leonard and Mary Wood
March 7: Hillerbrand + Magsamen, Accumulation, 2010
High Definition Video with Sound, 4 mins. Through performance, Accumulation explores perceptions of emotions, family, consumerism and media within a uniquely American subjectivity
Time-Lapse is co-curated by Irene Hofmann, Phillips Director and Chief Curator and Janet Dees, Assistant Curator. Support for this exhibition is generously provided in part by Lisa and David Barker, Barker Realty. Additional support for Byron Kim’s project is generously provided by Rosina L. Yue & Bert Lies, MD.
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