Images: susan pui san lok / susan lok pui san, REWIND/REPLAY, 2022. Site-specific installation with multichannel sound and video, 50 mins loop. Commissioned for Rewinding Internationalism. Van Abbemuseum Stratumsedijk 2Eindhoven The Netherlands Hours: Tuesday–Sunday 11am–5pm PRESS RELEASE Press rewind and you go back to a part of a song or a scene in a film. Something happens … Continue reading
Category Archives: sounds
REWINDING INTERNATIONALISM – Netwerk Aalst – 19 Feb-1 May 2022
Didem Pekün, susan pui san lok, Wendelien van Oldenborgh Netwerk Aalst Houtkaai 15 9300 AalstBelgium Hours: Thursday–Sunday 1–6pm Opening: February 19, 2–6pm with live rehearsals of susan pui san lok’s REWIND / REPLAY at 3pm and 5pmFilm screenings: March 3, 7:30pm, Last Angel of History and Mikrohaus, or the black atlantic?REWIND / REPLAY: March 25, 7:30pm, live rehearsal The story of New Beat … Continue reading
GI RADIO – Clyde Built Radio x Glasgow International – 19-20 June 2021
Tune in: clydebuiltradio.com Sat 19 & Sun 20 June 12noon to 10pm This weekend a special new partnership between Clyde Built Radio and Glasgow International creates GI Radio running from 12noon to 10pm, Saturday 19th and Sunday 20th June, with a mix of interviews, sound art and music. Artists from across the programme are lined … Continue reading
SEVEN X SEVEN – Glasgow International – 11-27 June 2021
The exhibition, seven x seven, is now open as part of Glasgow International 2021, with works at wasps South Block and Briggait Project Spaces until 27 June and GI online until 31 July. Curated by Mother Tongue, seven x seven brings together new commissions and existing work across installation, sound, film and text. It follows the artist’s 2019 … Continue reading
RoCH FANS AND LEGENDS – 2017 – FREEEBOOK
RoCH Fans and Legends Freeebook / Unlimited ebook, FREE 20 December 2017 Design by Land of Plenty 67pp plus video, audio and interactive content ORDER HERE FEATURED WORKS Covers I & II (2015), animated drawing, 3’ Figures (2015) contravision vinyls, dimensions variable Peach Blossom Isle (2015) wallpaper, dimensions variable Trailers (2015), single-channel video, 4’ RoCH … Continue reading
MOBILE CHORUS – Diaspora Pavilion, Venice – 26 Nov 2017
MOBILE CHORUS Participatory performance with susan pui san lok * 5.15 – 5.45pm Diaspora Pavilion Palazzo Pisani a Santa Marina, Calle de le Erbe, Venice ALL WELCOME * To participate, please download the Soundcloud app and search SPSL for the Mobile Chorus playlist, or visit https://soundcloud.com/susanpuisanlok/sets/mobile-chorus Mobile Chorus (2006-ongoing) is a 3-minute, 5-part instrumental score, … Continue reading
DIASPORA PAVILION: Closing Programme – Venice – 25-26 Nov 2017
Diaspora Pavilion Palazzo Pisani a Santa Marina, 6104 Calle de le Erbe, Venice EVENT DETAILS To mark the closing of the Diaspora Pavilion, seven of the exhibiting artists are returning to Venice to activate the site through a two-day programme of performances, tours, screenings and a roundtable discussion on the 25th and 26th of November. … Continue reading
SONIC SOUNDINGS / VENICE TRAJECTORIES – til end Nov 2017
Venice 1 Sept – 30 Nov 2017 Sonic Soundings / Venice Trajectories is a geo-locational sound tour and is experienced in Venice via ECHOES, a free app downloaded onto listeners’ smart-phones. A project curated by Erika Tan, with contributions by Larry Achiampong / Song-Ming Ang / Barby Asante / Chi Bagtas / Yason Banal / … Continue reading
SONGS VI, 2017
Songs VI is part of an ongoing series of soundworks ranging from a few seconds to a few minutes, in which instances of the lyric ‘golden’ collide to produce condensed audio interludes, at turns joyful, plaintive, and wistful. Songs VI was created for the Diaspora Pavilion, Venice, 2017, based on fifty tracks nominated by fellow artists … Continue reading
GOLDEN (SONGS) & MOBILE CHORUS – Workshop, 12 April 2014
MAI (Montréal, arts interculturels) 3680, rue Jeanne-Mance, bureau 103, Montréal, QC STUDIO 4F – 2pm to 4.30pm This workshop revisited Songs and Mobile Chorus (two strands of the project, Golden), and re-made them in response to the specific cultural and social contexts mediated by MAI. The original Songs (I, II, III, 2005) are short sound … Continue reading
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